What
I looked into quite a lot was StoryCorps. This heavily influenced my ideas and decisions
how to approach this brief. Plus it’s a wonderful little piece of really nice
and cute animation.
I can only say that it is beyond beautiful in creating an atmosphere that is incredibly well maintained not only by the art style but by the narrative itself. A great example of an experience a lot of us have. Ill let the work speak for itself.
Another thing that was worth looking into is something hiding in plain sight. The way we actually talk. It seems like something so easy to grasp and understand, but if you look into it under a certain light you start realizing how colorful a simple conversation can be.
Yes, puns do
come into this portion of my research, but it’s not just that. It’s so many
things we barely ever give a second glance at hyperbolization, exaguration, metaphors,
(that’s a whole nother can of beans right there… All of these are to be honest.)
But the thing that really did reassure me about not only having dialogue and
voice acting in my final piece but also cleverly written metaphorical dialogue
is word play.
A great example bellow.
Back
when I was looking up quotations at first I started out looking into Famous
Last Words. Because it seemed like a good thing to look into when keeping in
mind the Brief. Since I assumed people would try to summarize their entire
experience in one single dying breath. Despite how morbid the subject seems I came
across a lot of amusing ones, which spoke chapters about the people who left
them behind. My brain then came to a brilliant idea. Gravestones.
I started looking into it as quickly as possible and
the results did not disappoint. Especially since when chatting to people about
my findings I saw a lot of different reactions for it. Some laughed, some
questioned others thought it was plain ought moronic. Thus it seemed obvious
that this was a perfect example to continue researching or fitting into my own
project, mainly because a gravestone (to some extent just as the roadside
example) is HAVING a conversation (despite of the lacking the ability to
progress it).
There’s a lot of things one can say about a conversation
and how it could be used to "turn the tables" on many occasions, but
while i was looking into this I came across, or "struck gold", with
this Greek legend about a famous (or rather infamous) prostitute who managed to
avoid a death sentence by showing the judges her breast and arguing that it
would be a crime against the Gods to destroy something so beautiful.
Before you ask, yes there are paintings of this. And yes,
i am going to provide an example.
Thus even if having visual assistance to help your point
come across, the words and phrasing can add a lot to a point you are trying to
make. So this was an interesting subject to look into and I’m sure I’ll find a
use of this while working on my final piece for the Conversation brief.
Its rather obvious that I’ve have a fascination for quotes
.And while I was researching for non-Verbal conversation I stumbled upon the
idea to just start overlooking some quotations that would come close to defying
the human experience with conversation.
The following are some of my favorites.
“I use to think the worst thign in life is to end up alone. The worst thing is to end up with people who make u feel alone.”
— Robin Wiliams
“I still love the people I’ve loved, even if I cross the street to avoid them.”
— Uma Thurman
“They spoke less and less between them until at last they were silent altogether as is often the way with travelers approaching the end of a journey.”
— Cormac McCarthy
You say you love rain, but you use an umbrella to walk under it. You say you love sun, but you seek shelter when it is shining. You say you love wind, but when it comes you close your windows. So that’s why I’m scared when you say you love me.
— Bob Marley
I could write chapters about how much these quotes inspire me to visualize
the stories behind them. To consider about metaphors and their expressiveness
in the most mundane surroundings and obviously the power of words spoken and
left to drift in the metaphorical void, but truth be told I’d rather keep this
shorter for the greater good, dear reader.
Keeping
on the track of Non- Verbal interactions, let’s take a look into something less
aggressive then throwing spears into an airplane. And this would sit more”comfortably”
among the lines of interaction and conversation. The tweet bellow tells a remarkable
story that is just asking to be animated or atleast put into a fairytail. Another one of "those" things if i may.
Not every conversation has to be verbal. It can only be
actions or something among those lines (the cat example in the previous post
would do wonders here.).
One of the best stories about non-verbal communication I have found is below.
"The anthropologists decided that this tribe was to remain “uncontacted”."
In my
opinion it’s the perfect example of Non-Verbal Communication. Also I have a
deep love for obscurity appearing in day to day life and am hoping to introduce
some of it in this Brief.
A conversation can be anything. It doesn’t even have to
be with a living thing. Not in the sense like having a casual discussion about
the weather with your microwave oven (eagerly awaiting its reply), but more
like the feeling of closeness and comfort u receive when a pet cuddled up to
you at night when you’re feeling a bit under the weather.
A cat indeed is a living thing however.
But road signs aren’t.
And it’s rather a curiosity how we perceive them and understand them by a glance. Although it doesn’t take much for simple a road sign to carry a message that might reach a person on an emotional level.
It’s interesting how our casual environment can be
manipulated to become something more meaningful. Something we can connect with.
The Definition of: Conversation 1. informal interchange of thoughts, information, etc., by spoken words; oral communication between persons; talk; 2. association or social intercourse; intimate acquaintance. 3. the ability to talk socially with others.
Communication 1. the act or process of communicating; fact of being communicated. 2. the imparting or interchange of thoughts, opinions, or information by speech, writing, or signs. 3. something imparted, interchanged, or transmitted. Miscommunication 1. to communicate mistakenly, unclearly, or inadequately.
So
truth be told this isn’t a map you would follow while hiking, but here it is
anyway.
This is my mind map of a rough thought process
while overly analyzing the brief and where it can take me, or to be more precise
- vice versa.
Either way, here it is (good luck on your hike!)
"It's PoMo! (beat) ...Post-modern. (beat) ...Weird for the sake of weird."
— Moe Szyslak, The Simpsons
Postmodernism is one of the things that are very difficult
to put in words. Postmodernism began in the late 20th century. A
movement based in various forms of arts including architecture, literature,
listing everything postmodernism touches is rather pointless, that came from
modernism. Mostly Postmodernism is a very skeptical outlook and critique of
almost everything modernism provided, showing itself in deconstruction .
However I looked at what postmodernism has achieved in the grounds of
animation. It did not include any grand new techniques or anything similar, but
inserted more of a critique and self-aware narrative into it. It thrived in satire,
parody and most of all irony of everything that came before it. A good example
is the Shrek franchise. The first movie was an ironic and an iconic twist on
the classic fairy tale genre. Forcing the characters we would usually serotype as
something else into a whole new box. Or in other, more accurate terms
destroying the box in general and making them 3D. Not in the way of animation that
is, but giving them personality traits that no one would originally associate
their character stereotypes with.
This attack Shrek did on these fairytale stories could also
be traced back to the fact that the animator and director who started DreamWorks
previously worked at Disney because he didn’t agree with the franchised films
they were making over and over. All for a bigger profit. Shrek his first
production was a critique on that and a stab at his previous co-workers. Ironically
same fate awaited the Shrek franchise as it sold itself out with Shrek 3 and
Shrek 4. The more you know.
Moving on another trait in animation and storytelling which appeared during the
movement is not only the critique of a higher narrative, and character stereotype
parody’s but also a lot of attempt’s to break down the fourth wall. As
mentioned before, making the cartoons become self-aware that they indeed exist
in this drawn world. This showed itself as self-insertion into the show (as in mocking
the animators or pitying them about all their work they put in) and as
mentioned above self-awareness of being a cartoon and even occasionally taking a
go at society’s structure, problems and etc.
Yet again I’m making a post about animation/animated shows that inspire me
to reach greater and work for my goals. These are a few examples of modern
animated television shows that are extraordinary in how they treat their
audience and what sort of messages they give to their viewers.
First of all I would like to bring up the newest program from Disney that has
reached a vast audience in numbers and not to mention also the age differences –
‘Gravity Falls’.
The show has been slightly criticized and censored by the producers mostly because
the subject matter is very brave and if I dare to say it, rather grim and dark.
Just like Laika’s “Coralline” the subject matter has been criticized of it is
suitable for children, but the show refuses to speak down to kids or its
audience in general and thanks to this brave attitude and on point humor it has
become a fan favorite one dares to imagine what it could be, if not for the censorship,
which mostly is concerned about representation. Another thing that I admire about
the show and its creator, that when asked about who is the shows targeted
audience (again question raised from the occasional dark subject matter) the
creator responded, that he’s making the show for himself. I find that very admirable.
(Gravity Falls intro posted below)
The second animated show I wanted to bring up is Steven
Universe. It’s hard to know where to even begin with this one. It’s amazing visually,
story and humor are completely on point and the character representation is
very vast and vivid (not only by race, body size, gender identity, but also it
showed a lesbian couple, confirmed on screen to in fact be a couple, kiss on
screen. It was portrayed as of seemingly platonic, but given the censorship on
this subject matter lately it is very impressive.). It touches a lot of
important notes any story should and some episodes hit, for a lack of a better expression,
too close to home and when it’s over your left sitting there wondering what honestly
did you just see. A lot of episodes in the further season can just be described
as very lucid and heavy with melancholia. This is one of the many reasons the
show is so good. It doesn’t speak down to its, yet again, very vast and diverse
audience, but instead it treats them as adults, even more so to be honest.
(Steven Universe intro bellow)
The last show I wanted to talk about I have mixed feelings about. Don’t get me wrong it is a wonderful peace of animation. An excellent story compared with very grim and rather existential story and writing. Over all the show being more of an experience than anything else. The last animated show I wanted to talk about, which gives me incredible, seemingly endless, amounts of inspiration and drive Is – Over the Garden Wall. I made it often clear how I feel about children being exposed to grim and thought provoking subject matter. This cartoon has not changed my opinion what so ever. Perhaps only increased it. I would recommend adults to watch this short series it is just very relatable and incredibly thought provoking as I mentioned before – an experience among anything else, the atmosphere is incredibly on point and adds to the whole general mood of the show itself. I dropped the title sequence bellow and am going to let it speak for itself:
(Over the Garden Wall title sequence)
to
summarize this post I would just have to say that these animated shows are
beyond inspirational to me. It is a personal dream and an aspiration to one day
be able to work on a project similar to these animated shows because yet again,
they are incredibly inspirational.
One of the things (from Monday lectures from Tracy) that
stuck with me most is the example she gave us when she was talking about
advertising. The example was Silk Cut cigarette surreal approach to marketing.
This whole campaign was started solely because named Tabaco company advertisings
was banned. Bellow
I posted their first released advertisement.
This
type of marketing amazes me and to me is a perfect example of visual language
and visual metaphors in play. In the advert itself there is no reference to
smoking, cigarettes, smoke or the company itself. In fact the only way one
could tell that this is an advert for cigarettes is by reading the mandatory
health warning attached to the advert. The image is just a result of world play
of the brands name, while off course using the brands color scheme.Their
other advertisement became a bit more complicated, but only to their own
benefit since solving the riddle would bring a lot of positive emotions towards
the brand itself. The advert that Tracy brought to our attention in the lecture
and in a way formed my interest in the rest of the companies adverts out there was the visual metaphor for
the phrase – The next best thing since sliced bread.
Their
adverts also involved a lot of references to popular culture that a person
would have associate in their own head. The bellow advert shows the famous
shower scene from the ever so popular Alfred Hitchcock’s 1960’s movie Thriller
“Psycho”. The association that comes to the viewer’s head instantly is the
knife slashing threw the silk shower curtain. Hence yet again complimenting the
viewer’s intelligence when they solve the riddle.
Their last advert released and most likely my very favorite one is another take
on the visual metaphor. It portrays a woman singing while wearing the iconic
silk dress with a cut in it. The metaphor isn’t hard to figure out, it’s a take
on” “It’s not over until the fat lady sings” and given the fact that this is a
company that advertises cigarettes it can be rather grim given the concept.
The Silk Cut cigarette surreal approach to advertising is
really interesting to me. Not only that they successfully managed to continue
their advertisements solely using visual metaphors for their representation.,
but also that they found a way to keep advertising their product despite the
ban that was present. They found a way around it.
The Silk Cut cigarette surreal approach to advertising is really interesting to me. Not only that they successfully managed to continue their advertisements solely using visual metaphors for their representation., but also that they found a way to keep advertising their product despite the ban that was present. They found a way around it. Also these adverts sort of play off on Semiotics as they use visuals to make the viewer associate the entire poster/advert into a singular message.